FROZEN II (2019):
Written by: Chris Buck, Jennifer Lee & Shane Morris
-Disney Sequels stopped being a thing during John Lasseter's run as Chief Creative Officer, but with the runaway success they were having with their New Renaissance, it was perhaps inevitable that a couple would come out. Curiously, it wasn't Disney's BIGGEST recent hit that got the honors, but its predecessor
Wreck-It Ralph- nonetheless,
Frozen II followed it the next year. Now HERE was a seriously difficult prospect- though two animated shorts had come out in the preceding intervening years, they were more akin to cute asides (and all the short novels & comics created in the interim were of a similar nature- more domestic issues and hill-climbing than real danger)- here they had to come up with an actual THREAT again. And where do the characters go from here? Naive Anna, Grumpy Kristoff and the Terrified, Insular Elsa underwent complete character arcs the first time around. The story was complete and "Happily Ever After'd". What do you do now?
WELL, what happens is the writers combine an Origin Story (it irked some that we never DID find out where Elsa's magical powers came from) with kind of a "Hearing The Call" story, combined with a Detective Story, while other characters try to keep the status quo. To that end, we start out with the characters literally SINGING about how rad the status quo is, at which point we kind of get the "new normal"- playing family games with their weird family unit, Olaf making goofy asides (he assumes he's maturing rapidly and everything will make sense), Kristoff wanting to take things to the next level with Anna, and Elsa being... Elsa. Always a bit distant and introverted, she's still not your standard "Outgoing Disney Princess"- I think part of what made
Frozen (and Elsa) so big was her quirky, oddball nature making her a truly unique figure.
We get a flashback to the girls' younger days, and their father tells them the story of when he entered the Enchanted Forest, found a mysterious battle going on with his father's army and the Northuldra people (Inuits, sorta- more on them later), the battle made the Spirits (of air, water, fire, and earth) angry, and he wound up back in Arendelle, with his father dead, and others lost behind a barrier nobody can bypass. This, obviously, is explained later. Meanwhile, their mother, now given a real character beyond "worried person", sings them a lullaby about a mystical river that knows all secrets, but at great cost ("Don't go too far or you'll be drowned"- remember that). Back in the present, Elsa starts hearing this mystical call (spoken with an eerie, yet beautiful quality by the Norwegian singer Aurora), and when she pulls a
Let It Go by belting out a showy song about how part of her "LONGS to go... into the UNKNOWWWWWWWWN!", sure enough, bad things start to happen- this awakens the Ancient Spirits, and immediately Arendelle is threatened. The Trolls from the first movie arrive, and Grandpabbie does his usual "Speaks In Metaphor" stuff with a scary light-show, suggesting that they must find the secret of the past. And so the Main Cast is off to the Enchanted Forest.
Elsa naturally breaks through the barrier, which closes behind them, and we're thrown into the issues with the past already- the Arendelle Army has a few soldiers left! They've been trapped there all this time, along with the Northuldra clan, and they still aren't friendly- each blames the other for the battle in the past. And the Spirits immediately attack, and Elsa has to use her powers on each of them, literally battling them into submission. The sisters discover their mother was the Northuldra girl in their father's story (why the whitest woman ever was in a tribe of Inuits is not explained), and one Northuldra girl explains that there's a "fifth spirit" and then even the dumb kids figure out what THAT'S about. Then the cast gets split off- Kristoff & Sven are separated from the crew, making it an "Anna & Elsa" story again- he doesn't show up again until the end. Elsa then pushes Anna & Olaf away for their own protection, going through a spiritual awakening on her own, as is usual for her- the memories of the past (like in their mother's song said, in the mystical frozen glacier "Ahtohallan") teach her the truth about what she truly is- the Fifth Spirit. Elsa finds out the truth of the past- their grandfather betrayed the Northuldra, fearing their use of magic, setting off the whole war.
Delving so far into Ahtohallan's river of memories cause Elsa to freeze solid (ELSA. FREEZE SOLID), and with this, Olaf also meets his demise to Anna's horror ("I don't think Elsa's okay..."). Almost paralyzed by grief, she sings one of the most horrifyingly-dark Disney songs ever ("Hello darkness, I'm ready to succumb"), but manages to get back on her feet and fight on to do "The Next Right Thing". She ends up saving the day, realizing that the dam the Arendellians built "in friendship" is actually causing harm to nature. Anna cleverly gets rid of it, thus saving the day herself once again. Ultimately, Elsa discovers that she HERSELF is the "Fifth Spirit"- one mentioned in passing by Honeymaren, who describes the way the original four worked. And when the dam is broken and the barrier between lands fades away, they decide that Elsa should stay among the Northuldra and the Spirits- Anna herself is crowned Queen of Arendelle.
Things end... safely. They didn't seem to want to do anything TOO risky, though there's a fairly solid change to the core canon from this point on, what with the ultra-close sisters separating after only three years together. What's funny is this ending could be ultra-bittersweet (to the point of being depressing and against the nature of the first movie, which centered around putting them together), but they practically blow it off by showing how easily Elsa can send messages (through the Wind Spirit; Olaf nicknames her "Gale") and show up in Arendelle whenever she wants. Hell, they didn't even do what I was expecting repeatedly- the breaking of the dam promised to destroy Arendelle, but Elsa just stops it in one of those bad-ass moments that only she can create. TWO Disney Deaths happened and were averted, and more! I guess they didn't want to send anyone away unhappy, but it's funny how they didn't even do a "I'm really going to MISS you" or anyone grieving about possibly being apart. Though I guess
Ralph Breaks the Internet came out literally THE YEAR BEFORE, and ran through an entire movie with that premise, and
Toy Story 4 was about the exact same thing, so they didn't want to repeat themselves utterly.
OVERALL:
-This ends up being a very... MYTHICAL sort of movie. While the first one was more interested in character and the relationship between two sisters (and Anna's love triangle), this one is more about this journey into a spiritual world. There's no "bad guy" at the heart of it, different from almost any other Disney movie- if anything, this is Miyazaki-like, as his pictures tended to be more about people's relationship with nature and the world around them. It's also more or less a SUPERHERO story, as endless setpieces are created just so Elsa can do something awesome- three of the four Spirits are only tamed by Elsa frickin' FIGHTING them, and she continuously does more and more awesome things as the story goes on. "Look at how awesome Elsa is!" seems to be part of the reason we're here.
The original
Frozen ended up being an "Empowerment Movie" almost by accident, with Elsa's coming to terms with herself being a stand-in for any number of shy/ashamed/marginalized "othered" people, but was actually SUPPOSED to be about the relationship between two sisters, and the nature of shutting oneself out- Anna was too open & trusting, while Elsa was too closed-in.
Frozen II is different- the writers have mentioned that the theme of the movie is more about "Finding your place in the world". Though that's never really mentioned at length, and probably why the movie felt unfocused to some- Elsa mentions it in song, and Anna later goes "I don't want to stop you from being WHATEVER it is you need to be!", but it feels like less of a "human story" this time around, because Elsa's dealing with stuff way beyond what normal humans ever encounter- while
Show Yourself has empowerment aspects (it's more about how you ARE the one you've been searching for, and ends with the lovely Iduna/Elsa bit), and it's about Elsa completing herself as a person... her completion comes by way of becoming a Magical Elemental God Of Ice, ya know? And her "incomplete" state and thoughts about "I'm not where I'm meant to be" are funny when she's the queen of a whole freakin' kingdom (a tiny one, but still).
All of this leaves the movie quite... BUSY. There are many bits of character "Exposition Dumps", people theorizing things (why Elsa was given powers is openly mentioned by Anna, likely so SOMEBODY lays it out and they're not dealing with annoyed fans for years), and mysteries unlocking other mysteries. Because of this, they skip over certain character bits, and some threads seem to develop that are never answered- Anna has a thing where she feels Elsa's going too far and being too reckless; it's literally shown later that Elsa was CORRECT, so technically Anna was unintentionally holding her back. We meet a quartet of new characters AND deal with four Elemental Spirits, and quickly move on from each of them after a modicum of focus.
THE STORY OF ELSA:
-The movie doesn't really, REALLY beat you over the head with its core plot, largely because the pace is too quick and there's so much going on, but it's fairly clear that the major crux here is "What Elsa Wants" vs. "What Elsa Needs", as well as the secrets of her power (and, of course, her complete identity). A lot of plots run like this (Anna wants romance, but what she NEEDS is her sister, for example), but in this case, what Elsa wants is to stay at home and maintain the status quo ("I can't freeze this moment, but at least I can go out and seize this DAAYYYYYYYYY!"), but what she NEEDS is to accept her destiny and become her true self. It's fairly linked to the first movie, which devoted most of her 12 minutes of screen-time (seriously, go check) to her identity issues- after years of restraining her own nature, she explodes forth in this frenzy of joy, truly accepting who she was. This movie provides a bit more of that- her first song gives the hints that she's not feeling whole and seems alone in the world ("Or are you someone out there, who's a little bit like me?"), and another completes her ("I am FOUUUUUUUUUNNNNNNNNDDDDD!").
THE NEW STATUS QUO:
-This is kind of an interesting one for fans and anyone who was reading or writing the stories set after
Frozen came out- the status quo is now VERY different. Anna is now the Queen of Arendelle, Elsa having abdicated to become the guardian of the Forest- it's not clear what she's guarding it from, but seeing as how the last time stuff happened in there, it created a powerful mist that blocked out all access, I guess that's important. So anything set after
Frozen II is going to have to showcase this- Elsa living apart from Arendelle, but still with people... and the Spirits, I guess (so she's not quite a "Bedazzled Ice Hermit", as one YouTuber described her). And she can still come by to visit once a week or something.
It was one of the hardest things for me to accept when I first saw the movie, oddly- the entirety of
Frozen I is about the sisters' relationship and them coming together, and then after three years they live apart? But to be fair, they live closer than many REAL siblings do, and it's made particularly clear how little really separates them (Elsa's steed outran a freaking TIDAL WAVE to get their first). But it's kind of weird. Though when I thought more about it, I realized that almost every single thing set after the first film is very... dull. It's all domestic tidings and hanging around, setting up celebrations, or dealing with the citizenry in what is apparently a town of only a few hundred, tops. So like... guarding a magical forest and the river "full of memory" is a lot more epic and "fitting" for a character who's become unto a God than farting around and leading ice-sculpting contests and finding a lost reindeer calf.
Also, here's Ice Knight Elsa
THE POSITIVES:
-The movie is EPIC-looking. Almost the best overall part of the movie is the depth of the scenery, the incredible graphics, and the set-pieces created. Elsa's twin songs get these gorgeous "bright lights to all-black backdrops", coming off like the Northern Lights come to life, showing great images. The various Spirits have terrific-looking powers, and Elsa comes off as a huge bad-ass. I mean, they give her moment after moment that looks great. The autumnal environment looks amazing, the water is among the best-animated ever (all CGI movies now include water scenes to show off as much as possible because everyone in animation knows it's hard to animate water), and more. Nearly every review, even the negative, gushes over how beautiful this movie looks- if anything, this may be the prettiest animated feature in history- NOTHING looks like this!
Elsa is also a TOTAL GODDAMN SUPERHERO here, becoming almost a living god in the Disney Pantheon- during the course of the movie, she beats the shit out of a tornado, a wildfire, and THE GODDAMN OCEAN in her quest for identity and searching for the mysterious call. During
Show Yourself, she launches massive ice pillars out of the way, bursts into a closed room, creates huge stands for her to run on, and more- and once she turns into the winter-white Snow Queen, it's like some sort of Anime Final Form, and she's stopping entire tidal waves. It's purely insane and utterly magnificent. In many ways, while
Frozen was big on character and light on adventure (the Wolf Chase & Castle Fight are almost all we get),
Frozen II assumes we know the characters and turns it into an
Avengers film but with pretty, pretty dresses.
The character animation is some of the best I've ever seen. Anna's exaggerated reactions feel even more intense than ever (her faces when arguing with Kristoff are hyper-animated, especially around the mouth), and Elsa now has a ridiculous amount of "Idina Menzel" in them- when they animated
Let It Go in the first film, they based a lot of Elsa's reactions on Idina's movements in the recording studio, and it shows frequently here- the "thin-lipped when uncomfortable" thing (once she's interrupted by Anna going on and you see her move and flit about trying to get a word in), the way she swirls her hands, defiant character touches ("And if I hear you, which I DON'T" with a dramatic finger-point), and everything- it's like they turned her into a snow-white plantium-blonde 20-something with huge eyes and a tiny mouth. Anna is hyper-animated as always, and Elsa remains this poised, stoic character- much more closed-in than Anna, but confident and regal, even when being smashed about by demonic kelpies.
The outfits are spectacularly detailed, with Elsa's nightgown and travel suit being the best examples. Her nightgown is covered in shiny velvet (another thing CGI animators use to show off), and has that transparent outer layer and even tiny jewel work just to be EXTRA fabulous, while her travel gear is covered in TONS of delicate linework (so much that I actually got distracted a few times when her shoulder pads came into view).
Olaf's random trivia thing is meant to come off as annoying for the others while being funny for the viewer, and that works, and best of all- IT PAYS OFF. REPEATEDLY. When he suggests that "Water has memory" it's meant to be more of his endless chatter, but when he emphasizes how it works (water passes through different people), Elsa learns to use her powers to bring back images from the past, as well as their WORDS. And then it's paid off in the movie's climax, where Olaf's "Disney Death" is reversed thanks to his spirit returning from the water into which he melted. And while some adults are sick of him and annoyed by all of his dialogue, the fact that it's consistently dark makes it hilarious to me. In what other family movie are you gonna have a snowman cheerfully state "provided we aren't stuck here forever and you starve and I give up"? And really, every single time I've seen the film in theaters, it's either Olaf or Kristoff's Power Ballad that draw all the laughs.
The emotional moments are done very well, but often you're like "Hey, hold that scene a little bit more". Elsa's character is largely maintained through the original film by keeping bits and pieces of the old flaws in her personality- she keeps things to herself, is overwhelmed by guilt, and has powerful emotions, yet is introverted and quiet about them (part of the contrast that made her so alluring to audiences). Her keeping secrets from Anna comes off well, and when she discovers why her parents had left Arendelle (to find the source of her powers, or otherwise deal with them), she is shattered by the realization. Her protectiveness of Anna manifests itself in various ways, like pushing her away and trying to protect her (Anna is furious at most of these, in a nice bit). The unbridled joy at losing herself in magic is the same as the first movie, as both her big songs feature bits and pieces of "Holy crap this is so awesome", especially the second one. I mean, Elsa singing a perfect duet with her late mother? AMAZING, and probably one of the most beloved moments of the entire thing to audiences. "I AM FOUUNNNNNNNNNNNNNDDDDDDD!" will definitely go down in history- just look at her FACE!
The acting is quite top-notch, as usual- Elsa isn't as fascinatingly-quiet as the first movie, and Anna isn't as dumb, making them a bit less "extreme", but they're still very well done ("You can't just follow me into FIRE!" "Then don't RUN into fire!")- close, but occasionally still frustrated by each other. Elsa's recklessness at diving into magic worries Anna, and Anna's constant leaping in after Elsa worries the Queen. Curiously, Pabbie's warning about "Magic is very alluring- it's easy to lose yourself to it" from the trailer is completely absent from the actual movie, because... well, it turns out she was SUPPOSED to lose herself to it.
The songs are very good, and I like them more with time (I wasn't as taken with them on a first listen-through)- I don't think anything will prove as Ear Worm-y as
In Summer,
Love Is An Open Door or especially
Let It Go, but there's at least three real bangers, a sweet Mother-Daughter song, and a truly HILARIOUS song featuring Kristoff and a backup band, complete with 1980s rock video cliches. Though they double-up so much we get TWO "Loud Elsa Songs", each of which have wild animation, great special effects, and "bright stuff on a dark background", to the point where I think they were like "Well, we have two potential
Let it Gos here, which one do we use?" "uuuhhhhhhh..." and just went with both, and separated them by an hour so it wasn't as obvious.
Show Yourself in particular does the "slow opening, faster beat as she gets into it, loud yelling" part very dramatically.
SO OVERALL:
-I REALLY liked it. And that wasn't just pre-established bias or my love of the characters- having read some semi-spoilery material of the girls fighting the Spirits and stuff, I was REALLY REALLY WORRIED that this movie was going to be dull and disappointing, and that they wouldn't handle my beloved characters properly- the wrong kind of sequel could
Highlander this franchise! And I wasn't as taken with the songs, especially at first- I still don't find them quite as catchy, to be fair. But overall, it was amazing, and got better on further re-watches, as I could go "ah, that's right", read more properly into the dialogue instead of being distracted by pretty dresses (SHUT UP! THEY'RE PRETTY!), and more. It's a "busy" picture, almost to the point of being a flaw, so you REALLY have to pay attention and think- they really don't low-ball you many of the answers, either- Spirits remain mysterious.
Honestly, the more you see the movie as an Adventure Film than a standard Princess Movie, the more you'll appreciate it. Like I said,
Frozen was a movie about Characters, this one is more an Adventure movie with the characters you remember from last time- the set-pieces look astonishing, and moreover, the action sequences are the stuff of legends- Elsa looks like the most bad-ass female character ever put to film! And just for that it ends up a positive.
Assorted Great Bits:
* Elsa's hilarious "see?" face when she's trying to play charades (awkwardly sticking her hands out to showcase the "item", or standing on one foot for some reason), or trying to make a telescope for a child. The character has so much poise and dignity that little things where she looks silly are great, so long as they're rare. That's CLASSIC "Idina Menzel" stuff, so the animators were probably basing it on her expressions.
* Elsa's annoyed and defiant "and if I hear you, which I DON'T"; with that emphatic finger point. Again- Menzel at work.
* Anna setting off the weird shippers's dreams by cuddling up to Elsa in bed, singing her a lullaby, and calmly swishing a finger down Elsa's nose to get her to fall asleep. Elsa singing along with "Dive down deep into her SOUUNNDDD Iknowwhatyou'redoing" is great, too.
* The sisters sleeping next to each other is HILARIOUS- Anna goes right into her classic "snoring and drooling" mode, meanwhile Elsa's lying on the other side of the bed, completely silent, unmoving, and with her mouth ever-so-delicately opened, in full makeup. Impossibly perfect, and it's a great contrast between them.
* The fantastic light-show during
Into The Unknown, as well as the subtle character bits about her secret desires and wants.
* People have taken issue with the dumb way Anna & Kristoff get into "mistaken point" conversations (though you'll recall neither was particularly good with people in the first film), but I LOVE Anna's "Wait, you never said I was crazy- YOU THINK I'M CRAZY!?!" with the most psychotic expression ever on her face. Her lower jaw jutting out like nuts while her eyes blaze with fury drew a lot of laughs in the theater. Kristoff making a proposal sound like a fatalistic view of their chances is great, too ("YOU THINK WE'RE GONNA DIE!?" "I mean, maybe not now, but [... Anna runs off to chase Elsa] some time in the future, WE WILL DIE...").
* Anna deciding that Elsa & Olaf going to sleep is a perfect excuse to make out with Kristoff in the sled.
* Olaf being terrified of all the bizarre spiritual shenanigans, but blowing it off by suggesting it all makes sense. His denial is entertaining, and then he goes and says some INCREDIBLY dark stuff in a cheerful tone, which is really what makes his humor "work" to me- "at least until you starve and I give up".
* Elsa's geeky little dance-along to the ice-memory of the Duke of Weselton. And then her upturned nose and casually disintegrating snow-Hans.
* Elsa's noticeable CRINGE at seeing herself at the end of
Let It Go- some people I know were PISSED at that scene, and it's an obvious in-joke to how overplayed that song became (the Broadway
Lion King show replaces
"It's a Small World After All!" with that song for the same reason), but I think it still fits in-character- she's cringing at her old self- given how uncomfortable Elsa can be in her own skin, it fits.
* Anna's "ugly cry" when she sees Elsa return- we never saw her lose it completely in
Frozen (Elsa did, in the big finale), but watching her sniffling and snorting with tears pouring out of her eyes drew a great reaction.
SONG AS EXPOSITION:
-There's also a weird bit that major plot and characterization notes are mentioned only via song, so if you're distracted by all the shit that's flying around in the musical numbers, it'll take you a second to figure out why certain things are happening. Elsa shows no signs in the dialogue of the film that she's feeling incomplete- it's mentioned in SONG ("or are you someone out there who's a little bit like me? Who knows deep down I'm not where I'm supposed to be"). You'd never pick up on her being dissatisfied being the Queen of Arendelle or striving for identity without that. It took me two watches before I realized why Elsa was frozen in Ahtohallan, because I'd glossed over Queen Iduna's song's lyrics a little, even though they were repeated in that very scene- she'd "gone too far", as Olaf later said.
MINOR ISSUES:
-The only prominent issue I take with the movie is its rapid-fire pacing, which kind of makes some things have less impact than they possibly could, and creates a lot of "wait, why did that happen?" moments, and under-developed characters and situations. You can FEEL the writers' room elaborate upon "Okay, so we need an Olaf bit here, Kristoff needs to do something, and we need the Northuldra to say SOMETHING so they're not just empty faces..." and blow through it all because there's a LOT of story here.
The plot moves VERY quickly, much like the first, and oftentimes I think later "hey, what ELSE is going on there?". Like in
Frozen, the castle gates are closed so Elsa limits her contact with people, leaving Anna in with her, but we never really learn if they're never allowed outside or what. It's just glossed over, leaving endless wondering about "Why was ANNA trapped there, too?"- things that could be figured out, but aren't even given a bit of exposition. And in
Frozen II, you see the Arendellian Army and the Northuldra, and it's clear they aren't friendly, but... they were hanging out right near each other? For 34 years? Were they still fighting? Were they living apart as rivals after the battle? Iduna was Northuldra, but why doesn't she look it? They also throw out the "Did Agnarr know about Iduna's past?" answer so rapidly that I missed it the first time. The plot is just BANG BANG BANG and we're done and moved on to the next thing because there's a runtime here, people!
A HUGE part of the movie centers around the girls and their relationship with their mother- we thankfully open with a sweet bit about them as children, which centers that aspect the story. However... that's really all we get. Considering this is a character that had one speaking line in the first movie, it's kind of surprising and... odd, that we're left with so much to assume about their relationship.
Emotionally, it's tricky- a big argument between the sisters is that Elsa is being too reckless and launching herself headlong into danger ("You're not being CAREFUL!" "I don't want you DYING trying to be everyTHING to everyBODY!"), but ultimately... that doesn't matter, and Elsa's sacrificial attitude here is actually directly responsible for saving the day, so it's fine? I guess? Like, they don't even come to terms with it because Anna's too busy grieving, and is then happy when Elsa returns. Ultimately, the takeaway is that Elsa was correct and needed to become the true "Snow Queen". I feel like there's a first draft there where Anna was more "NO YOU CAN'T LEAVE US!", but they went back on it because so many other animated movies were doing that same story in 2019.
Another issue is the side characters that are barely written at all. I swear we know more about OAKEN in
Frozen than we ever found out about the three named Northuldrans, and Lieutenant Mattias is similarly given only a tiny bit to humanize him. It comes off a little like "HEY LOOK WE HAVE MINORITIES NOW!" because Mattias is black and the Northuldra are Inuit-looking, but like... Honeymaren got a toy and she only shows up for like one scene, and Ryder has one conversation with Kristoff, reveals he's awkward around women, and tells Kristoff his people's engagement tradition... and then is gone from the story. Mascotty the Fire Spirit, Gale the Wind Spirit and even the Water Nokk (which is NEVER NAMED) are run through rapidly as well.
And the pacing results in situations like Elsa crossing the ocean and wrestling the Water Nokk into submission, learning the truth about their past and getting a MAGNIFICENT new Snow Queen Dress... and then immediately being frozen solid, leaving Anna with the rest of the plot. So there's these amazing scenes with Elsa riding the freaking water horse and getting a magnificent new dress, looking like the most glorious thing ever... and we move along right away to the next thing and so the scene loses a bit of impact when it's arguably the movie's highlight- like, her big triumph is IMMEDIATELY reverted to her death? Even her resurrection and saving the day kind of gets brushed aside and we don't get the full panning shots of her outfit "in the moment". A bit more cinematrography or proper music could have made this the "Elsa does a hip-shaking walk to the balcony of her ice palace and hits a mega-note and proclaims her true identity to the world" moment, but I fear it didn't get "plussed" far enough- the closest we get is a dramatic "Swirling vortex of ice crystals" finale to
Show Yourself with a REALLY faraway shot of Elsa. That said... "Elsa with her hair down" has become a big meme already, as people are gushing about how AMAZING she looked like that.
There probably won't be anything quite as epically-repeated as the dialogue in the first movie, though- nothing really rolls off like "Do you wanna build a snowman?", "I don't have a skull. Or bones.", or "Some people are worth melting for". The lines here are fine, but workmanlike and often just get the plot rolling along. Even having seen it multiple times, I'm not getting the lines implanted into my skull- my fifth time seeing
Frozen, I'd memorized EVERYTHING. Again, a function of this movie being more about adventure than character interaction.